NFT Jewelry? WTF?

NFT Jewelry – A fundamental change is happening at the very core of the jewelry field– a new generation of designers, craftspeople, and collectors are diving into technologies such as Blockchain and Non-Fungible Tokens (NFTs). But where does this seemingly un-correlated and highly disruptive technology fit within the jewelry industry, and how do jewelers, large and small, intentionally incorporate it into their work?

A model showing Simone Faurschou's NFT Jewelry line, "Blockchain" crafted of 18-karat FairMined yellow gold and accented with Lab Grown diamonds.
C/O: Simone Faurschou

Independent NFT Jewelry

Award-winning, independent designer Simone Faurschou, who participated in our 2022 digital panel, “What Does Web3 Mean for Jewelry?” was one of the early adopters of NFT technology in the jewelry industry. Renowned for highlighting the contrast between chaos and order in nature and the interaction with the man-made world, Faurschou created a collection of necklaces titled “Blockchain,” that focussed on NFT education through physical representation.

Simone Faurschou's NFT. NFT Jewelry example.
C/O: Simone Faurschou

Her NFTs are digital works of art, a unique video animation depicting a circle of individual blocks in yellow/white gold with diamonds, breathing in and out against a natural backdrop. Hosted on the NFT platform and market, KnownOrigin, once purchased, the collector is shipped a physical pendant crafted in 18-karat, FairMined gold, accented with lab-grown diamonds. This unique approach of bridging the natural and human-made world to her collectors not only aids in better understanding the NFT and Blockchain tech but also gives the collector a one-of-a-kind jewel to enjoy their acquisition daily.

Simone Faurschou's Blockchain Pendant necklace crafted in 18-karat FairMined yellow gold and accented Lab Grown diamonds. A NFT Jewelry Collection.
C/O: Simone Faurschou

An approachable, self-created, and thoughtful collection crafted of ethically concious materials, I believe Faurschou’s take is a prime example of how an independent artist can integrate NFT technology with jewelry. Attracting and inducting a passionate group of collectors, Faurschou should be watched closely as an industry leader working in Blockchain as she ramps up her collections.

Striking While Hot

From independent jewelers to major powerhouses, many are bringing their own take to the unique world of blockchain. Tiffany & Co. is no exception.

Through the release of Tiffany’s hyper-exclusive “NFTiff” pendant collection, Senior Vice President of Product and Communications Alexandre Arnault, aged 30, has turned Tiffany to appeal to a younger and more tech-savvy generation than what the iconic jeweler has traditionally been associated with. Playing on the “hype factor” that has led fashion brands like SUPREME to enormous success, Tiffany collaborated with CryptoPunk, an early and popular 8-bit NFT, creating 250 limited-edition jewel-encrusted pendants. Priced at 30ETH (at the time of release, about 50,000 USD), the collection sold out in less than 20 minutes, even with a requirement that a buyer owns a CryptoPink NFT at the time of purchase. 

NFT Jewelry - A Tiffany & Co. NFTIFF pendant in a tiffany blue box with black satin lining.
C/O Tiffany & Co.

What’s important to understand about Tiffany’s take on NFT jewelry is the rights you receive when purchasing an NFT. When you buy an NFT, you buy the Intellectual Property (IP) and rights to a digital work of art. In essence, when Tiffany offered the NFTiff collection, the participants were licensing Tiffany to create a physical good from their IP. The rights of creating, owning, and arguably even wearing the newly minted CryptoPunk pendant lie with the current owner of that specific NFT and nobody else. If you sell the NFT, you’re selling the rights and property of the pendant, and all future works derived from it, adding another layer of perceived value to your digital property. But is this value real? Does it hold its value? And, does Tiffany’s model make sense for a smaller, independent jeweler?

With recession worries, looming government regulations, and numerous high-profile crypto-firm bankruptcies and lawsuits coming into play, I feel consumers are losing trust in the conglomerate NFT and Blockchain system and rethinking their approach to such high-profile, expensive, and experimental acquisitions.

Strictly based on monetary value, the price of the Tiffany & Co. pendant today (30 ETH) would be valued at about 54,000 USD; however, this price has fluctuated violently over the past year, with potential losses reaching up to 12,000 USD on paper. While we haven’t seen the sale of an NFTiff pendant (and corresponding NFT) to show how these values hold up, or if they even will, it will be something to keep a close eye on.

The front and back of Tiffany's NFTIFF pendant. NFT Jewelry example.
C/O: Tiffany & Co.

Tiffany capitalized on a hot trend that struck gold for them at the height of the NFT craze, but they have the marketing dollars, financial backing, and large client base to ensure its success and, worse case, keep the lights on should it have proved to be a flop. However, independent makers rarely, if ever, have this safety net, and collectors seeking out an independent maker’s work usually want to acquire a unique vision and expression of their world– not another artist’s work re-interpreted into precious materials. Given the Blockchain and economic turbulence we are seeing, it may best to stay clear of this method unless you have an NFT-curious client base, alongside the time and resources to spend experimenting with possible directions and artistic collaborations.

No Fakes For You

From Haute Joaillerie to Haute Horlogerie, the siren call of Blockchain tech doesn’t cease. Bvlgari’s Octo Finnisimo, the world’s thinnest watch at the time of its release, debuted how NFT and Blockchain tech could upset and secure the timekeeping and precious material realms.

Wound by a small wheel on the side, the dial showcased a unique QR code laser engraved on the stainless steel ratchet seated within the exposed skeleton movement. When scanned, the QR code directs the user to a digital experience– transporting you through the history of timekeeping and allowing you access to an exclusive NFT.

Bvlgari's NFT Jewelry, showing the complex dial Octo Finissimo time piece.
C/O: Bulgari

There is a key difference between how Bvlgari and Tiffany & Co. use Blockchain tech in their jewels. Like Tiffany’s pendants, the Finnisimo is tethered to an exclusive NFT. However, it wasn’t birthed from this NFT. So what could its purpose be beyond a conversation starter? Authentication and proof of ownership.

For decades, no matter how exclusive or rare a timepiece is, the watchmaking community, particularly the Swiss watchmaking community, has been plagued by counterfeit goods. Speaking with first-hand experience from my five years at a Pawnbroker, I can attest to the level of detail these counterfeits have developed, to the point where the counterfeit and the authentic watch, even held side by side, are nearly indistinguishable from one another. While watchmakers have done their best to implement certain security features into their dials, cases and serial numbers, counterfeiters seem to be consistently hot on their heels with a response. By integrating an NFT into the watch dial, Bvlgari can tether the ownership and authentication of the watch in a similar way to Tiffany’s pendants.

BVLGARI's NFT jewelry example: A close up of the engracing process of a QR code gear on Bvlgari's Octo Finnisimo timepiece.
C/O: Bulgari

So, what bearing does this concept have on the wider jewelry field? A similar adaptation of NFT and Blockchain tech could aid in further securing and streamlining the third-party authentication and auditing of FairTrade, FairMined and recycled precious metals. You could also push this tech even further by integrating it into GIA (and the like) reports, allowing for more consumer transparency and confidence when making acquisitions. The possibilities and benefits are endless.

The Big .JPG

This all said, we’re still very much in the early days of NFT technology, and whether it finds bearing in the industry or not is yet to be shown. However, right now, you can either demand or reject it. But, as always, stay true to yourself, your core beliefs, and your creative vision when forging your path forward.


Editorial written and laid out by Future Heirloom Editor, Nicholas Hyatt; Find Nicholas at his site Ping Pong Ring and @ping_pong_ring.

Lia Lam: Balance & Harmony

Studied Minimalism

New to the jewelry scene, designer, Lia Lam, is already making waves with her minimalist creations. Venturing to Gem Geneve this week as part of the Designer Vivarium by Vivienne Becker, she is one of the most promising young jewelers to come out of 2023.

From strikingly balanced belcher rings crafted of fused platinum and 18-karat gold to harmonious necklaces inspired by music notes on sheet paper, Lia’s work is defined by her poetic use of geometric forms and symmetry. We sat down with Lia to learn her story and understand her thoughtful approach to minimalist jewelry.

Jewelry designer, Lia Lam, sitting at her desk hand painting a rind design from her Passepartout Collection.
Photo c/o: Lia Lam

Who are you?

I’m a designer who creates wearable stories and architecture.

What do you make/sell?

Memories, attitudes and emotions. They are translated into my designs via the symbolic juxtaposition of simple forms; simple forms have the power to tell evocative stories.

Where do you make/sell it?

London, United Kingdom. I have a by-appointment space only in central London. I’m not working with any galleries or stores currently, so the best way to find me is by email.

A hand gripping a green piece of cloth wearing two of Lia Lam's Passepartout Collection fine jewelry rings made of 18-karat yellow and gold diamonds.
Photo c/o: Lia Lam

When/why did you start?

In pursuit of my lifelong dream, I started designing in 2016, self-taught, and began prototyping ideas during the pandemic, in paper, play-dough and finally, metal.

I am attracted to fine jewelry’s ‘permanent’ and three-dimensional nature – it lives on. We all use different themes to interpret the world. Jewelry and photography are the two that speak to me the most. Both of them are portable; they tell stories and are a witness of time.

A hand caressing a green squash wearing two ring by jewelry designer Lia Lam. The left ring is made of 18-karat yellow gold and from the Passepartout Collection. The right ring is made of 18-karat yellow gold and features two toi et moi, bezel set diamonds, from her 100% ring collection.
Photo c/o: Lia Lam

When/why did you start?

Listening to people with a different point of view, lifestyle or from a different culture. This makes me reflect on the way I do things and stimulates me to challenge the status quo. Apart from that, doing origami, and sitting on a train.

Origami is nostalgic; it helps me think in a three-dimensional way and has that spatial awareness when designing. For me, jewelry shouldn’t only look interesting from one angle. ‘Every angle considered and offers a point of interest’ is one of my key design philosophies; this was inspired by my past experience as a dancer.

I was never the best dancer, but learning to enjoy something one’s not good at helped me understand a side of myself that I’ve never been in touch with and a world I have not been part of. One evening when I was performing in Sadler’s Wells in London, I observed that not everyone looked at the main dancer at the centre of the stage. Depending on where the audience is sitting in the theatre, their focus is on a different dancer. Each dancer entertains; each move is a three-dimensional consideration.

Two hands embracing one another, on the right is a two-tone belcher style ring. The ring is made of 50% 18-karat yellow gold and 50% platinum, split directly down the middle.
Photo c/o: Lia Lam

Do you ever feel bored? What do you do about it?

I have endless ideas and less time to keep my mind and hands busy.

What’s the next big jewelry trend?

I don’t believe in trends; they come and go, while jewelry doesn’t. Minimalist jewelry is about practicing the art of subtraction, not addition. More is always more, while less is not always more. To ensure less is always more – making sure each subtraction adds a point of interest and value to the design is what I really enjoy doing. It’s problem-solving, my kind of puzzle!

But I hope to see more men expressing themselves through jewelry.

What’s our industry’s biggest challenge?

As a new designer, I find intellectual property protection particularly challenging. The process, as well as the cost. In a very much globalized world, especially when it comes to trade and commerce, IP protection is still very much regional. Intellectual property is probably the most valuable asset a new designer could have, yet the financial barrier to obtaining it makes IP protection intangible for most new designers.

A hand resting against an orange blazer, the middle finger features a 100% ring from Lia Lam's fine jewelry collection. The right ring is made of 18-karat yellow gold and features two toi et moi, bezel set diamonds.
Photo c/o: Lia Lam

How do we fix it?

I wish I had a solution. Similar to hallmarking and to some degree copyrights, wouldn’t it be nice if design patents/rights can be recognized globally, via some sort of an agreement/convention?

If you could ask an industry peer one question, what would you ask and to whom would you ask it?

I’d ask diamond cutters, if they were to invent a new cut that would be named after them, how would it look?

A portrait of jewelry designer Lia Lam (in profile) sitting on a chair in a wood-panelled modern room.
Photo c/o: Lia Lam